It’s been a distressingly long time since I last posted. I was called away to deal with the real world for a while. Exciting things have happened since then! I’ve signed on with an agent, the Beverly Slopen Literary Agency. Also, The Prairie Dogs and City Dogs have been released as audiobooks! Produced by RMW Kids and narrated by Liz Ramos, the books are available for download from iTunes, Audible.com, Simply Audiobooks, and digital bookstores around the world.
Head to RMW Kids for more information and previews of each audiobook!
Saturday, January 29, 2011
Wednesday, June 23, 2010
Real Life Fiction
Nonfiction and fiction writers alike are inspired by real life events. The fiction writer takes a true event a step further by adding, “But what if—?”
I've been going through my old journals, sifting through my life’s events for fiction fodder. Here is the dark side of a writer’s life. We cannibalize our history to feed our craft. It’s not easy, this process of coolly analyzing and selecting deeply personal and often painful passages for public display. I find myself cringing as I read the cheerful, optimistic entries that preceded life’s catastrophes. I want to step into the journal and warn my past self of what’s about to happen. Or better still, purchase a magic pen to rewrite the past and spare myself all that anguish. But then what would I write about? I would have to turn to the outside world, immortalize other people’s lives even more so than I already do—heavily disguised, of course, to avoid legal action. Writing about others is interesting, but not as gratifying as translating your own life into fiction. It’s our own experiences that give our writing depth and passion.
So what do you do with all these bit of real life lovingly collected in your journals? Well, after years of staring at my stack of journals wondering what to do with it all, I realized I needed a system. I created a binder divided into sections named Story Ideas, Settings and Props, Characters, Dialogue, and the titles of projects I’m currently working on. Then I went through my journals, picked out anything that looked useful and copied it under the appropriate section. I’m starting to wonder if I should have used my word processor rather than a binder, but there is something satisfying about pulling a collection of paper off a shelf and flipping through it either randomly or with a specific purpose in mind.
I've been going through my old journals, sifting through my life’s events for fiction fodder. Here is the dark side of a writer’s life. We cannibalize our history to feed our craft. It’s not easy, this process of coolly analyzing and selecting deeply personal and often painful passages for public display. I find myself cringing as I read the cheerful, optimistic entries that preceded life’s catastrophes. I want to step into the journal and warn my past self of what’s about to happen. Or better still, purchase a magic pen to rewrite the past and spare myself all that anguish. But then what would I write about? I would have to turn to the outside world, immortalize other people’s lives even more so than I already do—heavily disguised, of course, to avoid legal action. Writing about others is interesting, but not as gratifying as translating your own life into fiction. It’s our own experiences that give our writing depth and passion.
So what do you do with all these bit of real life lovingly collected in your journals? Well, after years of staring at my stack of journals wondering what to do with it all, I realized I needed a system. I created a binder divided into sections named Story Ideas, Settings and Props, Characters, Dialogue, and the titles of projects I’m currently working on. Then I went through my journals, picked out anything that looked useful and copied it under the appropriate section. I’m starting to wonder if I should have used my word processor rather than a binder, but there is something satisfying about pulling a collection of paper off a shelf and flipping through it either randomly or with a specific purpose in mind.
Tuesday, January 12, 2010
Manuscript Submissions: The Importance of Proofreading
Before submitting a final draft for potential publication, I read my manuscript several times to be certain its content is flawless. I don’t assume the publisher’s editor will fix my typos, poor grammar and incorrect facts. Professional editing is expensive. A publisher won’t accept a manuscript they think will cost them a fortune in repairs. Another tip about submitting manuscripts: avoid weird fonts, coloured paper and other gimmicks. They will only distract and annoy the editor. You want to make the reading of your manuscript as painless as possible for the editor. If your budget allows, hire a crew to massage her feet, play soothing music and serve her wine while she reads.
Tuesday, January 5, 2010
Another Thing I Love About Writing
I love the way I’ll surprise myself in the middle of a manuscript. I’ll be writing a chapter with a specific idea in mind, and something completely unexpected and wild will happen. This can be good or bad--good if it enhances the plot; bad if it takes the story in a direction it’s not meant to go. In the latter case I will eventually run into a dead end and have to backtrack to where the story derailed. It’s important to check your roadmap (your outline) periodically to ensure your creative detour isn’t getting you hopelessly lost.
Just because your wayward idea doesn’t work with this novel doesn’t mean you have to discard it. Save it for another journey. One day you might come back this way with a new book.
Just because your wayward idea doesn’t work with this novel doesn’t mean you have to discard it. Save it for another journey. One day you might come back this way with a new book.
Wednesday, December 16, 2009
What I Love About Writing
This is from my website but it bears repeating: the top ten reasons why I became a writer.
1. It gives me a good excuse to stay up half the night and get up at noon.
2. If the real world is getting me down, I can invent a new world where I make the rules.
3. I learn interesting stuff while doing research for my stories.
4. If someone makes me mad I turn them into a villain in a book and make all sorts of nasty things happen to them.
5. I can sit there staring into space for an hour and tell people, "Don't interrupt me, I'm working!"
6. I can get away with doing weird things in the name of research.
7. People stop me in the street and ask for my autograph (this hasn't actually happened to me yet, but I'm sure it will soon).
8. I can do your work anywhere, anytime.
9. Being a children's author gives me an excuse to read children's books.
10. I get to meet interesting people such as other authors, the people I interview for research, and best of all, the people who read my books!
1. It gives me a good excuse to stay up half the night and get up at noon.
2. If the real world is getting me down, I can invent a new world where I make the rules.
3. I learn interesting stuff while doing research for my stories.
4. If someone makes me mad I turn them into a villain in a book and make all sorts of nasty things happen to them.
5. I can sit there staring into space for an hour and tell people, "Don't interrupt me, I'm working!"
6. I can get away with doing weird things in the name of research.
7. People stop me in the street and ask for my autograph (this hasn't actually happened to me yet, but I'm sure it will soon).
8. I can do your work anywhere, anytime.
9. Being a children's author gives me an excuse to read children's books.
10. I get to meet interesting people such as other authors, the people I interview for research, and best of all, the people who read my books!
Sunday, September 6, 2009
First Drafts
Last weekend I wrote 30 pages of a new fantasy novel, which I’m calling New Fantasy Novel (tentative title). Once in a while a new book will burst out of me with little warning. The idea has been there for a while, filling up my head with images, but I don’t realize it’s becoming a book until it suddenly spills out onto paper. I won’t say anything about the plot for now. I don’t like to discuss a first draft because I don’t want to jinx it.
The first draft is the most exciting step in writing a book. I try not to ruin the enjoyment by fussing over the sort of details that get me stuck. I used to get stuck all the time because I couldn’t decide what to write next. I felt I must start at the beginning and work my way to the end. As a result I abandoned a number of projects because I became stuck for so long I lost interest. Finally I realized there is no law that says you have to write in a straight line. I could start in the middle of the story, skip to the end, then go back to the opening chapter. Now when I’m writing a story I record bits of dialogue and action in the order that they come to me and worry about sorting out the order of events later with the word processor. If I come to a part that seems to be slowing me down, and I’m anxious to get on with a more interesting section up ahead, I simply skip over the problematic part. Inserting a note such as (he explains the history of the sword to her) or (they run into some sort of obstacle here) reminds me to come back to this section later and expand upon it. The most important thing to remember about first drafts, a tip that will guarantee publication, is (insert information here).
The first draft is the most exciting step in writing a book. I try not to ruin the enjoyment by fussing over the sort of details that get me stuck. I used to get stuck all the time because I couldn’t decide what to write next. I felt I must start at the beginning and work my way to the end. As a result I abandoned a number of projects because I became stuck for so long I lost interest. Finally I realized there is no law that says you have to write in a straight line. I could start in the middle of the story, skip to the end, then go back to the opening chapter. Now when I’m writing a story I record bits of dialogue and action in the order that they come to me and worry about sorting out the order of events later with the word processor. If I come to a part that seems to be slowing me down, and I’m anxious to get on with a more interesting section up ahead, I simply skip over the problematic part. Inserting a note such as (he explains the history of the sword to her) or (they run into some sort of obstacle here) reminds me to come back to this section later and expand upon it. The most important thing to remember about first drafts, a tip that will guarantee publication, is (insert information here).
Tuesday, September 1, 2009
The Queen of Procrastination
Although we love to write, writers are the worst (or perhaps the best) when it comes to allowing ourselves to be distracted from it. When I’m in a good mood, I’m distracted by everything around me. When I’m in a bad mood, I’m distracted by everything inside me. I’ve learned to set a timer when I sit down to write. Knowing I have a deadline of an hour helps me stay focussed. The timer also reminds me to stop for a break during those wonderful spells of creativity when I become too focussed and forget to eat or sleep.
Favourite ways to distract myself:
- Trying to toss my pen into the air and catch it using only my mouth
- Searching for an environmentally friendly product that will remove ink from my face
- Playing with the figurines scattered around my office
- Gardening
- Eating
- Chasing bugs across my desk
- Eating again
- Exercising to compensate for all the eating
- Reading, reading and more reading
I would be interested to hear what other writers do to distract themselves. Maybe I'll take a survey. In fact I'll do that right now! The new novel can wait a little longer...
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